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Sale 2318 Lot 139
SAUL STEINBERG Landscape with Figures on a Hill. Watercolor and gouache on heavy wove paper, 1954. 570x368 mm; 22 1/2x14 1/2 inches. Signed and dated in black ink, lower right recto, and inscribed “©1966 by Saul Steinberg” in pencil, lower right corner recto. Ex-collection the Betty Parsons Gallery, New York, with the label on the frame back. Estimate $4,000-6,000
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Sale 2318 Lot 139

SAUL STEINBERG 
Landscape with Figures on a Hill. 

Watercolor and gouache on heavy wove paper, 1954. 570x368 mm; 22 1/2x14 1/2 inches. Signed and dated in black ink, lower right recto, and inscribed “©1966 by Saul Steinberg” in pencil, lower right corner recto. Ex-collection the Betty Parsons Gallery, New York, with the label on the frame back. 
Estimate $4,000-6,000

    • #saul steinberg
    • #art
    • #artists
    • #watercolor
    • #watercolors
    • #painting
    • #paintings
    • #gouache
    • #landscape
    • #figures
    • #american art
    • #american
    • #Swann Galleries
    • #Swann Auction Galleries
    • #swann
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So, E.E. Cummings was a painter, too!

Sale 2318 Lot 110
E. E. CUMMINGS Two studies of nudes. Woman with Downcast Eyes, oil on canvas. 310x230 mm; 12x9 1/8 inches * Landscape with Nudes, oil on card stock, 1940. 445x218 mm; 17 1/2x8 5/8 inches. Listed in Landmarks of Modern Literature and Thought: Superb Rare Books, Manuscripts and Art, Lame Duck Books, Boston, Catalogue number 2 copies of which are included with this lot. Ex-collection the artist’s estate, with the inventory numbers on the frame versos and with a letter from John Wronoski, Lame Duck Books, August 24, 2001. Estimate $1,200-1,800
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So, E.E. Cummings was a painter, too!

Sale 2318 Lot 110
E. E. CUMMINGS Two studies of nudes. Woman with Downcast Eyes, oil on canvas. 310x230 mm; 12x9 1/8 inches * Landscape with Nudes, oil on card stock, 1940. 445x218 mm; 17 1/2x8 5/8 inches. Listed in Landmarks of Modern Literature and Thought: Superb Rare Books, Manuscripts and Art, Lame Duck Books, Boston, Catalogue number 2 copies of which are included with this lot. Ex-collection the artist’s estate, with the inventory numbers on the frame versos and with a letter from John Wronoski, Lame Duck Books, August 24, 2001. Estimate $1,200-1,800
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So, E.E. Cummings was a painter, too!

Sale 2318 Lot 110

E. E. CUMMINGS 
Two studies of nudes. 

Woman with Downcast Eyes, oil on canvas. 310x230 mm; 12x9 1/8 inches * Landscape with Nudes, oil on card stock, 1940. 445x218 mm; 17 1/2x8 5/8 inches. Listed in Landmarks of Modern Literature and Thought: Superb Rare Books, Manuscripts and Art, Lame Duck Books, Boston, Catalogue number 2 copies of which are included with this lot. Ex-collection the artist’s estate, with the inventory numbers on the frame versos and with a letter from John Wronoski, Lame Duck Books, August 24, 2001. 
Estimate $1,200-1,800

    • #e e cummings
    • #e.e. cummings
    • #poets
    • #poet
    • #art
    • #artists
    • #paintings
    • #painting
    • #oil painting
    • #figures
    • #auction
    • #auctions
    • #Swann Auction Galleries
    • #Swann Galleries
    • #swann
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Lot 83
PAUL CADMUS Male Nude, NM 165. Color crayons on blue Strathmore paper toned with raw umber and white acrylic, 1981. 540x475 mm; 21 1/4x18 3/4 inches. Signed and inscribed “NM165” in crayon, lower left recto. Estimate $20,000-30,000
Lot 84 - PAUL CADMUSMale Nude, NM 199. 
Color crayons on blue paper, 1986. 673x445 mm; 26 1/2x17 1/2 inches. Signed and inscribed “NM199” in crayon, lower right recto. Exhibited DC Moore Gallery, New York; Midtown Payson Galleries, New York; and Louis Newman Galleries, Beverly Hills, with the labels on the frame back. Estimate $20,000-30,000
Lot 85
PAUL CADMUS Male Nude, NM 276. Color crayons on pale bluish gray paper toned with old rose acrylic, 1996. 330x520 mm; 13x20 1/2 inches. Signed and inscribed “NM 276” in white crayon, lower right recto. Cadmus was in his early 90s when he made this series. One of his last, the evolution of his career culminates here as a master draftsman of the human form, specifically males. Paul’s opinion was not that men were more beautiful than women, but that men were more vain and knew how to pose better for longer. The Male Nude, NM series were of his long time lover, Jon Anderson, 32 years younger, whom he met in Nantucket in 1965, “NM” standing for “Nantucket Man.” “From 1965 onward, Paul Cadmus, in collaboration with Jon Anderson, explored all aspects of the male nude, combining a reserved but blissful eroticism with formal explorations of torsion and foreshortening in the context of innovative, often witty composition,” observes Justin Spring in his book Paul Cadmus: The Male Nude. “One of the most delightful aspects of the Anderson drawings is their variety. Cadmus was continually exploring and innovating even as he strove for formal perfection through his repeated drawings of the same model.” Cadmus and Anderson stayed lovers for the rest of Cadmus’ life, when he died in their home of 25 years together of old age, 5 days shy of his 95th birthday. Estimate $18,000-22,000
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Lot 83
PAUL CADMUS Male Nude, NM 165. Color crayons on blue Strathmore paper toned with raw umber and white acrylic, 1981. 540x475 mm; 21 1/4x18 3/4 inches. Signed and inscribed “NM165” in crayon, lower left recto. Estimate $20,000-30,000
Lot 84 - PAUL CADMUSMale Nude, NM 199. 
Color crayons on blue paper, 1986. 673x445 mm; 26 1/2x17 1/2 inches. Signed and inscribed “NM199” in crayon, lower right recto. Exhibited DC Moore Gallery, New York; Midtown Payson Galleries, New York; and Louis Newman Galleries, Beverly Hills, with the labels on the frame back. Estimate $20,000-30,000
Lot 85
PAUL CADMUS Male Nude, NM 276. Color crayons on pale bluish gray paper toned with old rose acrylic, 1996. 330x520 mm; 13x20 1/2 inches. Signed and inscribed “NM 276” in white crayon, lower right recto. Cadmus was in his early 90s when he made this series. One of his last, the evolution of his career culminates here as a master draftsman of the human form, specifically males. Paul’s opinion was not that men were more beautiful than women, but that men were more vain and knew how to pose better for longer. The Male Nude, NM series were of his long time lover, Jon Anderson, 32 years younger, whom he met in Nantucket in 1965, “NM” standing for “Nantucket Man.” “From 1965 onward, Paul Cadmus, in collaboration with Jon Anderson, explored all aspects of the male nude, combining a reserved but blissful eroticism with formal explorations of torsion and foreshortening in the context of innovative, often witty composition,” observes Justin Spring in his book Paul Cadmus: The Male Nude. “One of the most delightful aspects of the Anderson drawings is their variety. Cadmus was continually exploring and innovating even as he strove for formal perfection through his repeated drawings of the same model.” Cadmus and Anderson stayed lovers for the rest of Cadmus’ life, when he died in their home of 25 years together of old age, 5 days shy of his 95th birthday. Estimate $18,000-22,000
Zoom Info
Lot 83
PAUL CADMUS Male Nude, NM 165. Color crayons on blue Strathmore paper toned with raw umber and white acrylic, 1981. 540x475 mm; 21 1/4x18 3/4 inches. Signed and inscribed “NM165” in crayon, lower left recto. Estimate $20,000-30,000
Lot 84 - PAUL CADMUSMale Nude, NM 199. 
Color crayons on blue paper, 1986. 673x445 mm; 26 1/2x17 1/2 inches. Signed and inscribed “NM199” in crayon, lower right recto. Exhibited DC Moore Gallery, New York; Midtown Payson Galleries, New York; and Louis Newman Galleries, Beverly Hills, with the labels on the frame back. Estimate $20,000-30,000
Lot 85
PAUL CADMUS Male Nude, NM 276. Color crayons on pale bluish gray paper toned with old rose acrylic, 1996. 330x520 mm; 13x20 1/2 inches. Signed and inscribed “NM 276” in white crayon, lower right recto. Cadmus was in his early 90s when he made this series. One of his last, the evolution of his career culminates here as a master draftsman of the human form, specifically males. Paul’s opinion was not that men were more beautiful than women, but that men were more vain and knew how to pose better for longer. The Male Nude, NM series were of his long time lover, Jon Anderson, 32 years younger, whom he met in Nantucket in 1965, “NM” standing for “Nantucket Man.” “From 1965 onward, Paul Cadmus, in collaboration with Jon Anderson, explored all aspects of the male nude, combining a reserved but blissful eroticism with formal explorations of torsion and foreshortening in the context of innovative, often witty composition,” observes Justin Spring in his book Paul Cadmus: The Male Nude. “One of the most delightful aspects of the Anderson drawings is their variety. Cadmus was continually exploring and innovating even as he strove for formal perfection through his repeated drawings of the same model.” Cadmus and Anderson stayed lovers for the rest of Cadmus’ life, when he died in their home of 25 years together of old age, 5 days shy of his 95th birthday. Estimate $18,000-22,000
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Lot 83

PAUL CADMUS 
Male Nude, NM 165. 

Color crayons on blue Strathmore paper toned with raw umber and white acrylic, 1981. 540x475 mm; 21 1/4x18 3/4 inches. Signed and inscribed “NM165” in crayon, lower left recto. 
Estimate $20,000-30,000


Lot 84 - 
PAUL CADMUS
Male Nude, NM 199. 

Color crayons on blue paper, 1986. 673x445 mm; 26 1/2x17 1/2 inches. Signed and inscribed “NM199” in crayon, lower right recto. 

Exhibited DC Moore Gallery, New York; Midtown Payson Galleries, New York; and Louis Newman Galleries, Beverly Hills, with the labels on the frame back. 
Estimate $20,000-30,000

Lot 85

PAUL CADMUS 
Male Nude, NM 276. 

Color crayons on pale bluish gray paper toned with old rose acrylic, 1996. 330x520 mm; 13x20 1/2 inches. Signed and inscribed “NM 276” in white crayon, lower right recto. 

Cadmus was in his early 90s when he made this series. One of his last, the evolution of his career culminates here as a master draftsman of the human form, specifically males. Paul’s opinion was not that men were more beautiful than women, but that men were more vain and knew how to pose better for longer. The Male Nude, NM series were of his long time lover, Jon Anderson, 32 years younger, whom he met in Nantucket in 1965, “NM” standing for “Nantucket Man.” 

“From 1965 onward, Paul Cadmus, in collaboration with Jon Anderson, explored all aspects of the male nude, combining a reserved but blissful eroticism with formal explorations of torsion and foreshortening in the context of innovative, often witty composition,” observes Justin Spring in his book Paul Cadmus: The Male Nude. “One of the most delightful aspects of the Anderson drawings is their variety. Cadmus was continually exploring and innovating even as he strove for formal perfection through his repeated drawings of the same model.” Cadmus and Anderson stayed lovers for the rest of Cadmus’ life, when he died in their home of 25 years together of old age, 5 days shy of his 95th birthday. 
Estimate $18,000-22,000

    • #art
    • #cadmus
    • #paul Cadmus
    • #painting
    • #drawing
    • #sketch
    • #nudes
    • #figure drawings
    • #figure drawing
    • #auction
    • #auctions
    • #Swann Auction Galleries
    • #Swann Galleries
    • #swann
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Woe is me!


In the upcoming of American art: Sale 2318 Lot 15
FRANK XAVIER LEYENDECKER Poetry and Music. Oil on artist’s board. 635x490 mm; 25x19 1/4 inches. Signed in oil on the cartouche, lower center recto. Estimate $8,000-12,000
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Woe is me!

In the upcoming of American art: Sale 2318 Lot 15

FRANK XAVIER LEYENDECKER 
Poetry and Music. 

Oil on artist’s board. 635x490 mm; 25x19 1/4 inches. Signed in oil on the cartouche, lower center recto. 
Estimate $8,000-12,000

    • #leyendecker
    • #painting
    • #paintings
    • #art
    • #american
    • #american art
    • #american painting
    • #music
    • #poetry
    • #fashion
    • #design
    • #Swann Auction Galleries
    • #Swann Galleries
    • #swann
    • #auction
    • #art history
    • #fun
    • #oil painting
    • #french
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This is the best thing. Alcatraz is missing out.
Sale 2315 Lot 157
CLAES OLDENBURG Proposal for a Colossal Monument in the Form of a Typewriter Eraser for Alcatraz Island. Offset color lithograph on Arches, 1972. 790x610 mm; 31x24 inches (sheet), full margins. Artist’s proof, aside from the edition of 30. Signed and inscribed “AP 24/25” in pencil, lower margin. Published by Multiples, Inc., New York. A very good impression. Axsom 136. Estimate $3,000-5,000
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This is the best thing. Alcatraz is missing out.

Sale 2315 Lot 157

CLAES OLDENBURG 
Proposal for a Colossal Monument in the Form of a Typewriter Eraser for Alcatraz Island. 

Offset color lithograph on Arches, 1972. 790x610 mm; 31x24 inches (sheet), full margins. Artist’s proof, aside from the edition of 30. Signed and inscribed “AP 24/25” in pencil, lower margin. Published by Multiples, Inc., New York. A very good impression. Axsom 136. 
Estimate $3,000-5,000

    • #art
    • #alcatraz
    • #art history
    • #Swann Galleries
    • #Swann Auction Galleries
    • #swann
    • #sculpture
    • #painting
    • #print
    • #oldenburg
    • #claes oldenburg
    • #auction
    • #modern art
    • #contemporary art
    • #auction house
    • #nyc
    • #design
    • #writing
    • #typewriter
    • #type
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Sale 2315 Lot 135
ROBERT INDIANA The Mother of Us All. Portfolio with complete text and set of 13 color lithographs, 1977. Each 457x356 mm; 18x14 inches, full margins. Each signed, dated and numbered 65/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Amiel, New York. Very good impressions with vibrant colors. Sheehan 96-108. Estimate $2,500-3,500
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Sale 2315 Lot 135
ROBERT INDIANA The Mother of Us All. Portfolio with complete text and set of 13 color lithographs, 1977. Each 457x356 mm; 18x14 inches, full margins. Each signed, dated and numbered 65/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Amiel, New York. Very good impressions with vibrant colors. Sheehan 96-108. Estimate $2,500-3,500
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Sale 2315 Lot 135
ROBERT INDIANA The Mother of Us All. Portfolio with complete text and set of 13 color lithographs, 1977. Each 457x356 mm; 18x14 inches, full margins. Each signed, dated and numbered 65/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Amiel, New York. Very good impressions with vibrant colors. Sheehan 96-108. Estimate $2,500-3,500
Zoom Info
Sale 2315 Lot 135
ROBERT INDIANA The Mother of Us All. Portfolio with complete text and set of 13 color lithographs, 1977. Each 457x356 mm; 18x14 inches, full margins. Each signed, dated and numbered 65/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Amiel, New York. Very good impressions with vibrant colors. Sheehan 96-108. Estimate $2,500-3,500
Zoom Info

Sale 2315 Lot 135

ROBERT INDIANA 
The Mother of Us All. 

Portfolio with complete text and set of 13 color lithographs, 1977. Each 457x356 mm; 18x14 inches, full margins. Each signed, dated and numbered 65/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Amiel, New York. Very good impressions with vibrant colors. Sheehan 96-108. 
Estimate $2,500-3,500

    • #robert indiana
    • #indiana
    • #art
    • #prints
    • #lithographs
    • #Swann Galleries
    • #swann
    • #Swann Auction Galleries
    • #contemporary art
    • #modern art
    • #auction
    • #auctions
    • #women
    • #history
    • #feminism
    • #historical
  • laurgold Avatar Posted by laurgold
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Another favorite from tomorrow’s auction. Love the juxtaposition of Classical architecture & Pop Art! 
Sale 2315 Lot 128
ROY LICHTENSTEIN Temple. Offset color lithograph, 1964. 584x435 mm; 23x17 1/8 inches, full margins. Signed, dated and numbered 162/300 in pencil, lower right. Published by Leo Castelli Gallery, New York. A very good impression. Corlett 3. Estimate $6,000-9,000
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Another favorite from tomorrow’s auction. Love the juxtaposition of Classical architecture & Pop Art! 

Sale 2315 Lot 128

ROY LICHTENSTEIN 
Temple. 

Offset color lithograph, 1964. 584x435 mm; 23x17 1/8 inches, full margins. Signed, dated and numbered 162/300 in pencil, lower right. Published by Leo Castelli Gallery, New York. A very good impression. Corlett 3. 
Estimate $6,000-9,000

    • #lichtenstein
    • #ROY LICHTENSTEIn
    • #pop art
    • #classical
    • #greco roman
    • #auction
    • #contemporary art
    • #modern art
    • #art
    • #prints
    • #New York City
    • #new york
    • #nyc
    • #auctions
    • #Swann Auction Galleries
    • #swann
    • #Swann Galleries
  • laurgold Avatar Posted by laurgold
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Great Warhol in tomorrow’s auction at Swann! Gotta love my job.
Sale 2315 Lot 117A
ANDY WARHOL Mao. Color screenprint on Beckett High White paper, 1972. 914x914 mm; 36x36 inches, full margins. Signed in ball-point pen and blue ink and numbered 59/250 with the ink stamp, verso. Printed by Styria Studio, Inc., New York, with the ink stamp verso. Published by Castelli Graphics and Multiples, Inc., New York. A brilliant, richly-inked impression with vibrant, fresh colors. Warhol created the 10 different color screenprint portraits of Chinese Chairman Mao Zedong (1893-1976) following Richard Nixon’s historic visit in China in 1972. He addressed the cult of personality surrounding China’s renowned Premier using his signature portrait style previously reserved for mass-produced consumer products and Hollywood film stars. Famously blending the propaganda utilized to render modern totalitarian rulers and the liveliness of American, western media, these garishly colored, graffiti-like portraits of Mao helped propel Warhol toward international Pop icon status. Feldman 90. Estimate $30,000-50,000
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Great Warhol in tomorrow’s auction at Swann! Gotta love my job.

Sale 2315 Lot 117A

ANDY WARHOL 
Mao. 

Color screenprint on Beckett High White paper, 1972. 914x914 mm; 36x36 inches, full margins. Signed in ball-point pen and blue ink and numbered 59/250 with the ink stamp, verso. Printed by Styria Studio, Inc., New York, with the ink stamp verso. Published by Castelli Graphics and Multiples, Inc., New York. A brilliant, richly-inked impression with vibrant, fresh colors. 

Warhol created the 10 different color screenprint portraits of Chinese Chairman Mao Zedong (1893-1976) following Richard Nixon’s historic visit in China in 1972. He addressed the cult of personality surrounding China’s renowned Premier using his signature portrait style previously reserved for mass-produced consumer products and Hollywood film stars. Famously blending the propaganda utilized to render modern totalitarian rulers and the liveliness of American, western media, these garishly colored, graffiti-like portraits of Mao helped propel Warhol toward international Pop icon status. Feldman 90. 
Estimate $30,000-50,000

    • #andy warhol
    • #warhol
    • #contemporary art
    • #modern
    • #modern art
    • #Swann Auction Galleries
    • #Swann Galleries
    • #swann
    • #new york
    • #nyc
    • #auction
    • #auctions
    • #prints
    • #mao
    • #mao zedong
    • #pop art
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Always a favorite Warhol of mine. We had an excellent electric chair print at the Frances Lehman Loeb!
Sale 2315 Lot 116
ANDY WARHOL Electric Chair. Color screenprint, 1971. 902x1219 mm; 35 1/2x48 inches, full margins. Signed and dated in ball-point pen and ink and numbered 111/250 with the ink stamp, verso. Printed by Silkprint Kettner, Zurich. Published by Bruno Bischofberger, Zurich. A very good impression with strong colors. Feldman 83. Estimate $10,000-15,000
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Always a favorite Warhol of mine. We had an excellent electric chair print at the Frances Lehman Loeb!

Sale 2315 Lot 116

ANDY WARHOL 
Electric Chair. 

Color screenprint, 1971. 902x1219 mm; 35 1/2x48 inches, full margins. Signed and dated in ball-point pen and ink and numbered 111/250 with the ink stamp, verso. Printed by Silkprint Kettner, Zurich. Published by Bruno Bischofberger, Zurich. A very good impression with strong colors. Feldman 83. 
Estimate $10,000-15,000

    • #warhol
    • #andy warhol
    • #print
    • #prints
    • #electric chair
    • #famous art
    • #art
    • #Swann Auction Galleries
    • #Swann Galleries
    • #swann
    • #gallery
    • #auction
    • #auction house
    • #auctions
    • #colors
    • #screenprint
    • #New York City
    • #nyc
    • #contemporary art
    • #modern
    • #modern art
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Sale 2315 Lot 100
LOUISE BOURGEOIS Eyes. Drypoint on Somerset textured paper, 1996. 100x225 mm; 4x8 7/8 inches, full margins. Signed, dated and numbered 12/40 in pencil, lower margin. Published by the Brooklyn Museum, New York. A very good impression. Estimate $3,000-5,000
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Sale 2315 Lot 100

LOUISE BOURGEOIS 
Eyes. 

Drypoint on Somerset textured paper, 1996. 100x225 mm; 4x8 7/8 inches, full margins. Signed, dated and numbered 12/40 in pencil, lower margin. Published by the Brooklyn Museum, New York. A very good impression. 
Estimate $3,000-5,000

    • #louise bourgeois
    • #art
    • #artists
    • #famous artists
    • #contemporary art
    • #modern art
    • #modern
    • #prints
    • #drawings
    • #eyes
    • #eye
    • #drypoint
    • #Swann Galleries
    • #Swann Auction Galleries
    • #swann
    • #auction
    • #auctions
    • #New York City
    • #new york
    • #nyc
  • laurgold Avatar Posted by laurgold
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Always a fan of Joself Albers. At auction tomorrow at Swann Galleries.
Sale 2315 Lot 58
JOSEF ALBERS Interaction of Color. Portfolio with complete text folder, bound text volume and 80 color screenprints, 1963. 330x255 mm; 12 7/8x9 3/8 inches (sheets), full margins, loose as issued. English edition. Published by Yale University Press, New Haven. Original brown linen slipcase. Estimate $3,000-5,000
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Always a fan of Joself Albers. At auction tomorrow at Swann Galleries.
Sale 2315 Lot 58
JOSEF ALBERS Interaction of Color. Portfolio with complete text folder, bound text volume and 80 color screenprints, 1963. 330x255 mm; 12 7/8x9 3/8 inches (sheets), full margins, loose as issued. English edition. Published by Yale University Press, New Haven. Original brown linen slipcase. Estimate $3,000-5,000
Zoom Info

Always a fan of Joself Albers. At auction tomorrow at Swann Galleries.

Sale 2315 Lot 58

JOSEF ALBERS 
Interaction of Color. 

Portfolio with complete text folder, bound text volume and 80 color screenprints, 1963. 330x255 mm; 12 7/8x9 3/8 inches (sheets), full margins, loose as issued. 

English edition. Published by Yale University Press, New Haven. Original brown linen slipcase. 
Estimate $3,000-5,000

    • #josef albers
    • #albers
    • #geometry
    • #design
    • #color
    • #colors
    • #color theory
    • #squares
    • #Swann Auction Galleries
    • #Swann Galleries
    • #swann
    • #auction
    • #art
    • #prints
    • #modern art
    • #contemporary art
    • #gallery
    • #new york city
    • #new york
    • #nyc
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Some photos of our Modernist Posters auction preview at Swann - Also open Saturday 12-5, & Monday 10-12 before the auction!
Catalogue Here
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Some photos of our Modernist Posters auction preview at Swann - Also open Saturday 12-5, & Monday 10-12 before the auction!
Catalogue Here
Zoom Info
Some photos of our Modernist Posters auction preview at Swann - Also open Saturday 12-5, & Monday 10-12 before the auction!
Catalogue Here
Zoom Info
Some photos of our Modernist Posters auction preview at Swann - Also open Saturday 12-5, & Monday 10-12 before the auction!
Catalogue Here
Zoom Info
Some photos of our Modernist Posters auction preview at Swann - Also open Saturday 12-5, & Monday 10-12 before the auction!
Catalogue Here
Zoom Info
Some photos of our Modernist Posters auction preview at Swann - Also open Saturday 12-5, & Monday 10-12 before the auction!
Catalogue Here
Zoom Info

Some photos of our Modernist Posters auction preview at Swann - Also open Saturday 12-5, & Monday 10-12 before the auction!

Catalogue Here

    • #art
    • #swann
    • #Swann Auction Galleries
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  • laurgold Avatar Posted by laurgold
  • 1 week ago
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This lovely Valmier painting has been keeping us company behind the desk this week, courtesy of Artcurial in Paris.
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This lovely Valmier painting has been keeping us company behind the desk this week, courtesy of Artcurial in Paris.
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This lovely Valmier painting has been keeping us company behind the desk this week, courtesy of Artcurial in Paris.

    • #painting
    • #paintings
    • #art
    • #artists
    • #modern art
    • #oil painting
    • #art Curial
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    • #Swann Auction Galleries
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  • laurgold Avatar Posted by laurgold
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My favorite of the rock posters in the May auction
Sale 2314 Lot 236
WES WILSON (1937- ) LOVE / MOBY GRAPE / LEE MICHAELS. 1966. 23 1/2x14 inches, 59 3/4x35 1/2 cm. West Coast Lithograph Co., SF. Condition A. Printed on thick paper. The Art of Rock BG 40. Estimate $400-600
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My favorite of the rock posters in the May auction

Sale 2314 Lot 236

WES WILSON (1937- ) LOVE / MOBY GRAPE / LEE MICHAELS. 1966. 
23 1/2x14 inches, 59 3/4x35 1/2 cm. West Coast Lithograph Co., SF. 
Condition A. Printed on thick paper. 
The Art of Rock BG 40. 
Estimate $400-600

    • #art
    • #Swann Auction Galleries
    • #Swann Galleries
    • #swann
    • #vintage
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    • #poster
    • #posters
    • #love
    • #rock and roll
    • #wes wilson
    • #rock
    • #rock music
    • #music
    • #concert
    • #concert poster
    • #concert posters
    • #concerts
    • #chartreuse
    • #lithograph
  • laurgold Avatar Posted by laurgold
  • 2 weeks ago
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Sale 2314 Lot 235
NICHOLAS KOUNINOS (DATES UNKNOWN) PROCOL HARUM / PINK FLOYD. 1967. 21x14 inches, 53 1/4x35 1/2 cm. Condition A: minor abrasions at edges. Printed on thick paper. The Art of Rock BG 92. Estimate $400-600
Catalogue here
View Separately

Sale 2314 Lot 235

NICHOLAS KOUNINOS (DATES UNKNOWN) PROCOL HARUM / PINK FLOYD. 1967. 
21x14 inches, 53 1/4x35 1/2 cm. 
Condition A: minor abrasions at edges. Printed on thick paper. 
The Art of Rock BG 92. 
Estimate $400-600

Catalogue here

    • #poster
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    • #rock music
    • #rock and roll
    • #pink floyd
    • #rock posters
  • laurgold Avatar Posted by laurgold
  • 2 weeks ago
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Avatar Vassar '11, Art History/Brit Lit History; Vintage Posters at Swann Galleries. http://baileyblu.tumblr.com http://laurensartwork.tumblr.com/ http://zazzle.com/spike28g Instagram

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